Beatrice Gjertsen Bessesen (1886–1935)

Operatic soprano and namesake of the Bessesen Building on the National Register of Historic Places listings in Minnesota

What is Beatrice Gjertsen Bessesen (1886–1935) known for?

Beatrice Gjertsen Bessesen was an American operatic soprano, renowned educator and cultural pioneer, born in Minneapolis, Minnesota in 1886. Celebrated for her captivating vocal prowess, she contributed significantly to the cultural scene in Minnesota and broader America.

Bessesen, having been trained by esteemed voice teachers such as Anna Smith-Behrens, Mathilde Mallinger and Aglaja Orgeni, went on to perform with various European opera companies, illuminating the stage with her unique artistic flare. In a testament to her dominance and popularity on the international operatic scene, she became the prima donna at the Ducal Opera House in Weimar, Germany, and received honors from the Kaiser of Germany.

Bellesen was also known for her work off the stage. She served as the president of the Twin City Music and Dramatic Club, fostering a deeper appreciation of music and opera within the community. She leveraged this platform to encourage and nurture local talent, contributing to the growth of Minnesota's cultural landscape.

Bessesen's impact extended beyond her musical achievements. The Bessesen Building in Albert Lea, Minnesota, named after her, stands as a testament to her influence. The theater, which opened its doors in 1916, served not only as a movie house but also as a conservatory for teaching piano, voice and dramatic arts, under the direction of Bessesen herself.

In her personal life, she married Dr. William A. Bessessen and together they had six children. Their family home was known for being a haven for artists and music lovers. Bessesen was also a member of several social and philanthropic organizations.

Beatrice Gjertsen Bessesen passed away on September 7, 1935, but her legacy continues to inspire generations of artists and music enthusiasts. A jewel from Albert Lea High School, she significantly impacted the cultural dynamics of not just Minnesota, but also the broader American and global music scene.